Tag Archives: Roles

Traditional Playbills vs Electronic Playbills

The playbill is often one of the most admired aspects of the theater. Guests love to enter the theater, get comfortable, get associated with the backdrop, and read what is in store for them. The printed playbill is one of the most traditional elements of theater that still rings true today. 

Legally Blond Playbill

An article by Laura Collins in the New York Times online theater section explains this perfectly.

She explains that when you go to the theater, and your usher guides you to your seat, you almost expect to receive something from him. Perhaps the house doesn’t want the audience distracted? Perhaps they would rather you read about the show after the show?

Maybe this is a money-saving move on the theater’s part, but is this worth compromising our beloved in-hand playbills? It is expected that the audience will tune in to the digital version of the playbill on their phone. When you don’t receive a program directly, how likely are you to do this? And how do you see and analyze the reader’s response?

Here’s an excerpt from the article:

“When I admire something I’ve seen onstage, I often spend my subway ride home scouring the artists’ bios, my paper program in full view of fellow riders — advertising that doubles, sometimes, as a conversation starter. But honestly (and I’m talking here about shows I’m not writing about), if the onus is on me to track that information down, there’s an excellent chance I won’t do it. When I turn on my phone, I’ll probably use it to read the news.”

photo of a playbill in hand

We think this is a great point. With a physical playbill, you can relive the moments you saw on stage, and almost continuously enjoy them after the show, just by looking back to the piece of paper. Some people even save playbills as mementos for shows, self-proclaimed ‘Playbill Hoarders’. We know that it’s important for theatergoers to look back on these playbills, as Playbill the company has found much value in archiving their shows in past history.

What do you think about receiving programs or playbills? Do you like the nature of the paper, or do you think the program is superfluous to your theater experience? Let us know, we want to hear from you. Share this blog to your Facebook feed and see how your fellow theater lovers feel.

playbill avenue Q

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Choosing Your Next Production

Cast on Stage

If you have a theater group and you’re constantly putting on productions, read on for inspiration in choosing your next production. We’ve put together a guide to choosing your next production for your theater community. Here are a few things we think are important to think about when brainstorming your possibilities:

Anastasia

Deciding on the Type of Production
Do you want to do a musical? Do you want to do a situational comedy or a dramatic play? Do you want to perform a greek tragedy? A historical play or a romantic play? There are many subsets of plays and types of productions. When you narrow down your goal, you can then choose a script.

Thinking of your Actors
Deciding on a play depends on your strengths and weaknesses as a theater community. Sometimes the tell-tale signs of your next production can be evident through your actors’ strong suits. Make sure you have the right type of actors available to be matched with the right roles.

Spider-Man

Accessing a Script
Be sure you have access to ordering scripts for your community. Are there enough scripts available for the production of your choice? Be sure that you’re choosing from plays that are accessible, and that you have the rights to get ahold of the script.

Look to your Inventory
Looking at the props you already have and the props you need to buy can help you decide on your next production. If you have a smaller budget, and it’s always helpful for theater communities to spend as little as possible, you can look at what you already own. You may not need to buy much if you have a good selection and you use a little creativity.

Tarzan

Time and Duration
Think about how much time each production will take to rehearse and choreograph. You need to think about time from the beginning of your first rehearsal to your last dress rehearsal. Be sure that the plays you’re considering all fall within your time frame for preparation.  

Set Hands and Available Crew
Some productions take more help behind the scenes and backstage. Other productions require less stage help and more actors on stage. Every production is different, so being sure you have enough set hands and available help is something you’ll definitely want to think through before choosing a play.

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