Category Archives: Theater

Monologue Madness

actor on stage

A monologue is a long speech delivered by an actor during a theatrical production. Some actors love monologues, while others are impartial to them. Monologues come at a particular point in the production and they serve an important purpose. Let’s take a look at what goes into delivering a monologue, details, and other elements of monologue madness

Memorizing Long Passages
Monologues are long passages delivered at a single time. This is usually why some actors struggle with delivering monologues. If a role contains a monologue, that may be a deciding factor as to whether or not an actor will audition for that role during a casting call. Though people think actors are extremely good at memorization – because that’s the nature of what they do – it’s still a challenge during rehearsals, as it’s a process moving toward opening night. Actors must be 100% comfortable delivering the monologue before moving forward with the production.

monologue delivery

The Moment of a Monologue
The moments in which monologues are delivered say a lot about the essence of a monologue. Delivered at a pinnacle moment of the story line, monologues are usually intense dramatic moments of realization, passion, or emotion. This is one reason why actors may dislike monologues. As an actor with a role containing a monologue, you’re responsible for a big moment. You have all eyes on you, and sometimes you’re the only one on stage. A monologue is an important moment to the show, so it’s critical that you express yourself exactly how you should so the audience understands and makes the proper connections.

 

monologue drama

 

Monologues for Students
As a theater student, you may have had to deliver a monologue in place of a written test, or as a graded project. This is also overwhelming if it’s a deciding factor of your grade or your passing the class. Monologue memorization and deliverance is by no means easy, especially when you’re weighted with other stressors while trying to memorize and consciously deliver.

The strong, confident actors should take on roles with monologues. Usually main or directly supporting roles of relevance are characters of a production who deliver monologues. Practicing memorization, deliverance, as well as improving your forms of persuasion can help you excel when it comes to monologues.

Backdrops by Charles H. Stewart has been your leading edge scenic design and backdrop rental company for over 100 years. Planning your next production? Reach out to us today for questions and more information: https://charleshstewart.com/

Breaking the 4th Wall

 

red stage curtains

The theater world is full of intricate terms and techniques. These ultimately help actors to perform their roles to the best of their abilities. One term used commonly among thespians is “breaking the 4th wall.” Let’s take a look at what this means, and how these terms help to keep actors focused and in tune with their character.

First, let’s get a visual of the fourth wall in our heads: picture yourself on stage, with the back curtain behind you and the two wings on each side of you. Think of these as your ‘walls.’ The fourth wall would be the invisible wall that connects you to the audience.

acting on stage

We use the term ‘breaking’ the fourth wall when we’re talking about interacting with the audience. Actors almost never want to break the fourth wall unless it’s a clearly defined moment in the script. If you break the fourth wall, this would mean you slipped up, and accidentally came out of character. Don’t worry, there are techniques you can practice to avoid this!

kid actors

Actors avoid breaking the fourth wall by always keeping a center of attention. Some actors will fixate their attention either on the back wall of the theatre auditorium, or on another specific location. Focusing their attention, and acting like they are delivering their role directly to that specific spot helps tremendously.

lights can be distracting

Many things can be distracting as an actor: lights, camera flashes (even though photography is usually prohibited, there are always those few guests) motion, people standing, and loud noises. Not breaking the fourth wall can be a challenge when acting in front of a large crowd, but that’s why actors work so hard on passion, delivery, and attention.

standing ovation

Many of the audience members are really enveloped in the show, and want to be involved with the characters as much as possible throughout their viewing experience. Some guests will try to get the attention of the actors while on stage, wave their hands, or even call out characters’ names (as very unadvised in previous blog, A Guide to Theatre Etiquette). Actors try their best to stay on script, and keep things running as smoothly as possible despite these distractions.

If you’re an actor, there are many things you can do to help practice avoiding breaking the fourth wall. Avoid audience eye contact, and focus on your next move. When rehearsing, and during dress rehearsal even more so, pick your focus point in the auditorium and have it already decided before the show.

Backdrops by Charles H. Stewart has been your leading edge scenic design and backdrop rental company for over 100 years. Planning your next production? Reach out to us today for questions and more information: https://charleshstewart.com/

Musicals Making Their Way to the Big Screen

Les Mis Poster

Musicals are one of the oldest, most loved, and renowned forms of theatre in existence. Characterized by singsong dialogue and a show tune structure throughout the production, musicals have greatly made their mark on the social sphere of entertainment.

pitch perfect cast

The genre exploded in the 1930s when the Great Depression was weighing heavily upon the U.S. Most musicals highlighted the lives of the upper echelons of society, and weren’t as realistic as they could have been. Times have changed, and of course, musical theatre greatly reflected this. Now, by just looking at theatre, we can see how we’ve progressed through history. Musical theatre has been recognized as something we truly love for entertainment.

Into the Woods

Today, we see movies and television shows that have flourished from the rudiments of musical theatre. Musical to film adaptations are very common today. At first glance, we may not realize how much we really enjoy the musical elements in our entertainment.

Movies like Pitch Perfect, Into the Woods, Hairspray, La La Land, Les Miserables, and shows like Glee were all once musicals that were adapted to the big screen. They represent our love for the melodic tunes and show tune structure.

Glee cast

Musical to film adaptations are undoubtedly a great way to extend a timeless or older story into something relatable in present day. Adaptations are taking a classic storyline, revamping, extending characters, changing up the plot, and putting out a new piece of art. The director has much to work with. The principal characters and everything about the musical generally remain, but there is definitely room to be creative with the visuals and all other movie elements.

But why has musical theatre made its way to the big screen? What caused this change? The answer lies within the true elements of musical theatre that have stuck with us. Show tune structure, repetition and reprisal of songs, as well as the sung dialogue are all elements we still see in movies today.

Hairspray

Musicals create a cohesive feel and bring you in more than a movie does. They include tons of human elements, moments of recognition, missions, realizations, and problem solving. This paired with music and very little spoken dialogue is what we want to see. The catchy tunes get stuck in our head, and the stories take us on a ride. We invest, we get enveloped, and it works. Now in 2018, it’s safe to say that musical theatre is here to stay.

Backdrops by Charles H. Stewart has been your leading-edge scenic design and backdrop and rental company for over 100 years. If you’re hosting a production soon, check out our catalog for all of our offerings. We can answer all of your questions about your design needs for your next production. Reach out to us at (978) 682-5757 today! We want to hear from you.

A Guide to Theatre Etiquette

 

Theater audience

Going to see a theatre production is a favorite of many. If you’re an avid theatre goer, or a thespian yourself, this blog will explore obvious commonalities for you. Unfortunately, some people don’t understand theatre etiquette easily, but this is understandable as the environment is particular and unique. When you go to one production, it’s hard to pick up the etiquette on your first time. If you love theatre, but don’t know how to assimilate with the crowd, check out the list we’ve compiled of the basics.

 

interacting with crowd

Dress well. You don’t have to go overboard, but you should definitely feel confident. Look nice and feel nice. If you’re wearing a hat, take it off as soon as you enter the house. Avoid distracting clothing, and heavy perfume or cologne. Theaters are designed beautifully and regally, so dress like you belong there.A

Sit quietly. No fidgeting, eating snacks, falling asleep, snoring, or leaning your head. If you’re bored or uninterested, you probably shouldn’t be there.

Don’t create distractions. Distractions include singing along, getting out of your seat other than at intermission, and letting a cell phone buzz or ring.

Respect the space of others. Sit respectfully and keep to yourself. Don’t take your shoes off or get comfortable like you’re in a movie theatre. Though you are enjoying yourself too, remember that you are in a professional space supporting a cause.

Be appreciative. This includes clapping only when appropriate, and giving a standing ovation at the end of the production. Only clap or interact with actors when they ‘break the fourth wall’ or, in other words, interact with you.

Actors on stage

Actors and theatre goers will think everything on this list is absolutely unnecessary. If you’re going to a production and want to brief a friend, send them to this blog! If you know someone who doesn’t understand theatre etiquette and needs to see this list in writing, share our blog so your followers can read through. Theatre etiquette isn’t strict without a reason – it creates an environment in which actors can thrive and perform their best. If you don’t agree with theatre etiquette, maybe Broadway is not the place for you, and that’s okay! But when attending a show, you must abide by theatre culture and respect your environment.  

Backdrops by Charles H. Stewart has been your leading-edge scenic design and backdrop rental company for over 100 years. We can help you find the perfect backdrops and accessories for any production. Reach out to us for questions at (978) 682-5757.

Thrill of Victory, Agony of Defeat Part II

With the Stanley Cup and NBA Finals all wrapped up, here are some more sports themed stage productions.

 

Rocky (Boxing)

Rocky the Musical (originally Rocky: Das Musical) is a 2012 musical with music and lyrics by Stephen Flaherty and Lynn Ahrens, with a book by Thomas Meehan, adapted from a screenplay by Sylvester Stallone. The show held its world premiere in Hamburg in 2012 and opened on Broadway on March 4, 2014 at the Winter Garden Theatre and closed on August 17, 2014 after 28 previews and 188 performances. The show roughly follows the plot of the 1976 film Rocky.  The show featured 20 original songs, with additional music taken from the original film series including “Eye of the Tiger” and “Gonna Fly Now”.

The show’s set, which for Broadway cost $4.3 million, is set around a mostly bare stage which represents the Gym that Rocky trains in. The production uses sliding box like sets to represent the homes of the characters and the sliding element goes onto include a full sized regulation boxing ring.  Audience members seated within the front stalls Golden Circle seating section, are escorted onto the stage for the final 20 minutes to sit on bleacher style seats, in doing so this allows the boxing ring to enter the auditorium and sit in rows A-F, bringing the audience close to the final fight scene.  The production did win a Tony Award for Set Design.

 

Lombardi (Football)

Lombardi is a play by Eric Simonson, based on the book When Pride Still Mattered: A Life of Vince Lombardi by Pulitzer Prize-winning author David Maraniss.  I’ve read the book.  Unbelievable life.

The play follows Green Bay Packers coach Vince Lombardi through a week in the 1965 NFL season as he attempts to lead his team to the championship. (The Packers won the NFL championship that year, which would be the last season before the introduction of the Super Bowl.) A “Look Magazine” reporter, Michael McCormick, wants to “find out what makes Lombardi win”. However, players on the team refuse to be interviewed, wary of giving up information. He goes instead to Lombardi’s wife, Marie, for answers. Meanwhile, in a flashback, Lombardi frets over his lack of promotion and contemplates quitting football. His wife reveals that the family had an emotional move to Green Bay, Wisconsin when Lombardi joined the Packers.

Lombardi ends up yelling at Michael in front of the team, prompting both to storm off. Linebacker and place kicker Dave Robinson comforts Michael at a local bar, sharing stories about his initial impressions of the coach, the “honor of being barked at” by Lombardi, and the equality established on the team. After more positive insight from running back, option quarterback and kicker Paul Hornung and fullback Jim Taylor, Michael decides to attend the next game. As he narrates what happened at the game, the Packers win.

After he writes his news story, Michael reveals to Lombardi that he is quitting “Look Magazine” to form his own publishing company. Lombardi congratulates him on his move to independence and celebrates the win with Michael and Marie. Michael realizes that Lombardi is “the most imperfect, perfect man” he ever met.

Lombardi officially premiered on Broadway at the Circle in the Square Theatre on October 21, 2010, after previews beginning on September 23. The creative team includes direction by Thomas Kail, sets by David Korins, costumes by Paul Tazewell, and lighting by Howell Binkley. This production is being produced by Tony Ponturo and Fran Kirmser. Lombardi closed on May 22, 2011, after 30 previews and 244 performances.

Due to the Packers winning Super Bowl XLV in 2011, their fourth Super Bowl but their second since Lombardi was head coach, the show’s producers were “hoping for a halo effect at the box office.”  Patrick Healy wrote in The New York Times: “The Packers’ victory on Sunday lent “Lombardi” plenty of visibility before and after the Fox broadcast of the game. One FOX commentator, Oakland/Los Angeles Raiders Hall of Fame defensive end Howie Long, who had seen the play, talked up the play before kickoff and during the postgame show he said, ‘I think Lombardi the play just got an extension on Broadway.’ ” Healy also wrote that the show had not recouped its $3 million investment, and while producer Tony Ponturo said that the show was scheduled to run until June 19, 2011, it ended its run early. Producers would not comment on whether or not the play had earned back its production budget.

The original Broadway cast included Dan Lauria as Vince Lombardi, Judith Light as Marie Lombardi, Keith Nobbs as Michael McCormick, Bill Dawes as Paul Hornung, Robert Christopher Riley as Dave Robinson, and Chris Sullivan as Jim Taylor. Light was nominated for a 2011 Tony Award for Best Performance by a Featured Actress in a Play for her performance in Lombardi.

 

 

The Changing Room (Rugby)

The Changing Room is a 1971 play by David Storey, set in a men’s changing room before, during and after a rugby league football game. It premiered at the Royal Court Theatre on 9 November 1971, directed by Lindsay Anderson. The 1973 Broadway production, directed by Michael Rudman, won several awards including the New York Drama Critics’ Circle award for Best Play and the Tony Award for Best Featured Actor for John Lithgow.  After three previews, the Broadway production, directed by Michael Rudman, opened on 6 March 1973 at the Morosco Theatre, where it ran for 192 performances.

At the play’s core is a semi-pro Northern England rugby league team. During the week, its members are peaceable men toiling away at mindless, working class jobs. On Saturday, they prepare for gory combat on the playing field. The changing room is where they perform their pre-game initiation rites, strip down, loosen muscles, and get into their uniforms. After the match they return, often broken, muddy, and bloody, regretting their loss or giddy with victory in the communal shower. There is little in the way of plot, but Storey engages his audience with his ability to dissect his characters’ hurts, hopes, desires, and fighting instincts.