Category Archives: Informative

London’s 8th Annual Horror Theatre Festival

spooky scene

For the 8th year, London’s Horror Festival has finally been announced. Hosted at the Red Lion Theatre with over 30 productions, this Halloween season will have theatergoers and horror lovers chilling with fright, and extremely impressed.

London’s Horror Film will be offering dramas, comedies, musicals, and spoken word about all things spooky starting October 7th. Each year there is a theme for their annual playwright competition, and this year they are honoring Mary Shelley for the competition of “Women in Horror.” Her most renowned creation, Frankenstein, has its 200th year anniversary in 2018.

Catch tons of theater productions that truly push the limits of live production and performance. You are bound to find something you love, and something to make you really think when you attend a festival like this.

Scary ghost scene

Theater festivals are an awesome time for people to come together and bond over a common interest. When it’s a special reason for celebration, like a themed or holiday theater festival like this one, it can be even more interesting. Though this festival is in London, we can tune in and see what this annual horror fest will bring theater-goers and thespians.

If you’re REALLY into festivals, even horror fests, this might be something you want to follow on social media, inquire about, and maybe even travel to see.

Jackolanterns

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Hot Summer Broadway Musicals

The dog days of summer are over.  But it is still summer.  Some like it hot.  Some don’t.  Here’s a list of a few shows that deal with the heat of summer.

110 in the Shade

110 in the Shade is a musical with a book by N. Richard Nash, lyrics by Tom Jones, and music by Harvey Schmidt.  Tony Award nominations went to Schmidt and Jones as Best Composer and Lyricist.  It also had nominations for best actress, actor and director.  An original cast recording was released by RCA Victor.

Based on Nash’s 1954 play The Rainmaker, it focuses on Lizzie Curry, a spinster living on a ranch in the American southwest, and her relationships with local sheriff File, a cautious divorcé who fears being hurt again, and charismatic con man Bill Starbuck, posing as a rainmaker who promises the locals he can bring relief to the drought-stricken area. Nash’s book is faithful to his original play, although all the interior scenes were moved outdoors to allow for the addition of townspeople for ensemble numbers and dances. Many of Jones’ lyrics come directly from Nash’s play.

The musical opens with “Another Hot Day,” setting the scene for the scorching summer weather that is at the center of the show’s plot.

Wish You Were Here

Wish You Were Here is a musical with a book by Arthur Kober and Joshua Logan and music and lyrics by Harold Rome. The musical was adapted from Kober’s 1937 play, Having Wonderful Time and revolves around a summer camp for adults.  For many years, this 1952 musical was best-known as the “swimming pool musical” because the production featured an actual swimming pool on stage.  The characters could take dip when they weren’t singing the wonderful Rome score.  The story centers around the guests looking for fun in the sun at Camp Karefree in the Catskills as they enjoy a respite from the everyday life.  The show opened at the Imperial Theater and ran for 598 performances and was a lighthearted escape into the world of summer vacations.

Carousel

Carousel is a musical by Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics) that was adapted from Ferenc Molnár’s 1909 play Liliom, transplanting the Budapest setting of Molnár’s play to a New England fishing village. The show includes the hit musical numbers “If I Loved You”, “June Is Bustin’ Out All Over”, and “You’ll Never Walk Alone”. Carousel was innovative for its time, being one of the first musicals to contain a tragic plot with themes of suicide and domestic violence.

The original production opened on Broadway on April 19, 1945, and ran for 890 performances. The musical has enjoyed award-winning revivals (particularly the 1994 revival at the Vivian Beaumont Theatre) and has been adapted as a Cinemascope 55 film in 1956 and as a made-for-television special on videotape in 1967. It is particularly well-regarded among musicals by the theatre community, and Richard Rodgers, in his autobiography Musical Stages, said it was his favorite musical. Time magazine named it the best musical of the 20th century.

After a mill girl, Julie Jordan, marries a handsome, but uncivilized carousel barker, Billy Bigelow, things turn sour for the couple. Billy cannot find a job and he and Julie are forced to live with their cousin, Nettie. Further, Billy has taken to using violence against her. Nevertheless, Julie continues to love her husband. In the end, after Billy discovers that Julie is pregnant, disaster strikes. In a desperate ploy for money, Billy’s friend, Jigger Craigin, convinces Billy to help him assault and rob David Bascombe, the mill owner. After this plan fails, Billy kills himself instead of spending the rest of his life in prison. Nevertheless, fifteen years later, Billy is allowed one more visit to Earth. He attempts to show his love for his daughter, Louise, and Julie – but he is unable. Even still, Julie can sense his love and Billy witnesses Louise graduating from high school.

Greenwillow

This is a musical readers may not be familiar with.  Greenwillow is a musical based on a novel by B.J. Chute with a book by Lesser Samuels and Frank Loesser and music and lyrics by Loesser. The musical is set in the magical town of Greenwillow.  In Greenwillow, the eldest in each generation of Briggs men must obey the “call to wander” while the women they leave behind care for the home and rear their children in the hope that someday their husbands will return.  Gideon Briggs loves his girlfriend, Dorrie, and would like nothing better than to settle down with her, but he spends his days trying to fight his need to travel, instead focusing his energies on his girlfriend.   He finds in the town’s newest inhabitant, the Reverend Birdsong, an ally who will try to help him make his dream come true.  Greenwillow didn’t last for very long (97 performances at the Alvin Theater), but one song did enjoy popularity: “Summertime Love,” a tribute to the excitement and passion of a summer romance.

BONUS

Summer:  The Donna Summer Musical

You read that right.  Summer: The Donna Summer Musical is a musical with book by Colman Domingo, Robert Cary, and Des McAnuff and music and lyrics Donna Summer, Giorgio Moroder, Pete Bellotte, Paul Jabara, and others, based on the life of Donna Summer.  The musical made its premiere at the La Jolla Playhouse from November 7, 2017 through December 24, 2017 and opened on Broadway at the Lunt-Fontanne Theatre to previews on March 28, 2018 before opening on April 23, 2018.

Stagefright? We’ve Got You Covered.

actors in character on stage

We’ve all heard of picturing the audience in their underwear when a performer is nervous or suffering from stage fright. But this is usually for advice when giving presentations or announcements. The truth is… it is not common to think that actors get stage fright because they are always on stage, and they’re constantly acting in front of crowds. Let’s dive deeper into what it means to have stage fright, and how actors can prepare to reduce obstacles on stage.

An Actor with Stagefright?
The common association with actors is generally that they have extroverted personality types, are talkative, friendly, and personable when in communicating. In reality, every actor is different- and personality type does not dictate acting style. Sometimes, different scenarios, roles, audiences, and stage locations cause stage fright. If your significant other is in the crowd, you may be nervous or act/perform differently than you normally do. If your entire family is present, or if you know you’re being observed, it’s natural for these to cause stagefright. A particular stage design may be uncomfortable or foreign to you. There are a number of reasons to be nervous, but plenty of ways to feel assured as well.

Staying Calm Through Preparation
Anxiety has a lot to do with stage fright. You can go through a calm routine before performances to help reduce stage fright. Confronting anxieties before a performance is always recommended. Is everything in place in the dressing room? Is the crew prepared? These types of issues can be handled beforehand to prevent small worries. Don’t think about questions like “Is the front of the house full? Are we sold out?” These types of questions will only stress you out and add to the stagefright. Only think of preparations that make the show run, that need to be in place for you to play your role.

Perfecting Skills in Practice
Rehearsal is the time to ask your director questions about your techniques. If you’re unsure or feel insecure about something, ask enough questions in rehearsal so you know what your character looks like, and you know to make necessary adjustments to your performance. You can’t ask enough questions when learning a role. The more questions you ask about your lines and your appearance, the more confident you will be to perform your truest character possible.

spotlight on stage

Peer Support & Perspective
Asking your cast and crew for their assessment and opinions during rehearsal can allow you an outside perspective on your character. Try asking your peers if your character appeals to emotion, logic, and reason to see if you are credible and believable as your role. If anything sticks out as improper, inappropriate, or misplaced in your character’s performance, have them point out these flaws. The more precisely you receive feedback on your performance, the more confidence you will feel in your role and the less likely you will get nervous on stage.

Most actors’ insecurities on stage come from overthinking small details or a lack of preparation. If you cover your rudimentary bases through peer support, rehearsal, and preparation, then you will most likely perform to the best of your abilities.

Teas, Honeys, and Other Natural Remedies for Sore Throats

honey in pot

When you’re preparing for opening night, your body is stressed. Running around from errands to rehearsal, while also trying to solidify lines and memorization takes a toll on your body. If your show is coming up, but you feel yourself slightly coming down with a sore throat, there are ways to feel better fast so that you can perform your best. Read through this blog if you’re looking for ways to soothe a sore throat or cold in time for opening night.

Actors often find themselves coming down with something as the big night approaches. When we’re stressed, our immune systems are lowered and we’re susceptible to catching colds. But, as always, “the show must go on!”

tea and saucer on table

Double Water and Vitamin Intake
The first step to action when realizing you’re coming down with something is to double your water intake. To be able to power through, your body will need to be extremely hydrated. Extra vitamins like Vitamin D, C, and E as well as zinc and iron pills can help you feel rejuvenated and energized when your body is struggling. The best way to get natural vitamins is by eating fruits.

Local Honey
Warm, local honey is a go-to throat soother. Using local honey helps your body become accustomed to the allergens in the air, and helps your immune system find balance when you digest the honey. Honey helps to coat your throat for protection and ease.


Stretch
Your vocal chords are muscles and can be stretched and worked out. Be VERY cautious when stretching your muscles and voice when you’re sick or have a sore throat, and if you’re not comfortable, do not push it to perform. Any vocal coach will tell you that taking chances and pushing it is very dangerous for your voice, and you would not want to risk your ability to perform.

Herbal Teas
Chamomile and lavender teas have great healing effects and can help immensely with treating sore throats. Teas with sage, thyme, lemon balm, and even hops can be soothing on the throat and can help with protection. With a little lemon and honey melted in the tea, you will definitely feel better and find yourself recovering from your cold more quickly.

Gargle Salt Water
Lastly, gargle salt water before bedtime. This helps your throat overnight when you sleep, as warm, salty water helps reduce swelling, flushes bacteria, and helps with protection.

As the saying goes,”The show must go on.” We understand that it can be stressful preparing for a role, and catching a cold is inevitable. Take these steps toward getting over a sore throat or simple cold before you have to perform, but remember, don’t push yourself. And if you are truly sick beyond a head cold, seek medical attention from your primary care doctor.

A Guide to Theatre Etiquette

 

Theater audience

Going to see a theatre production is a favorite of many. If you’re an avid theatre goer, or a thespian yourself, this blog will explore obvious commonalities for you. Unfortunately, some people don’t understand theatre etiquette easily, but this is understandable as the environment is particular and unique. When you go to one production, it’s hard to pick up the etiquette on your first time. If you love theatre, but don’t know how to assimilate with the crowd, check out the list we’ve compiled of the basics.

 

interacting with crowd

Dress well. You don’t have to go overboard, but you should definitely feel confident. Look nice and feel nice. If you’re wearing a hat, take it off as soon as you enter the house. Avoid distracting clothing, and heavy perfume or cologne. Theaters are designed beautifully and regally, so dress like you belong there.A

Sit quietly. No fidgeting, eating snacks, falling asleep, snoring, or leaning your head. If you’re bored or uninterested, you probably shouldn’t be there.

Don’t create distractions. Distractions include singing along, getting out of your seat other than at intermission, and letting a cell phone buzz or ring.

Respect the space of others. Sit respectfully and keep to yourself. Don’t take your shoes off or get comfortable like you’re in a movie theatre. Though you are enjoying yourself too, remember that you are in a professional space supporting a cause.

Be appreciative. This includes clapping only when appropriate, and giving a standing ovation at the end of the production. Only clap or interact with actors when they ‘break the fourth wall’ or, in other words, interact with you.

Actors on stage

Actors and theatre goers will think everything on this list is absolutely unnecessary. If you’re going to a production and want to brief a friend, send them to this blog! If you know someone who doesn’t understand theatre etiquette and needs to see this list in writing, share our blog so your followers can read through. Theatre etiquette isn’t strict without a reason – it creates an environment in which actors can thrive and perform their best. If you don’t agree with theatre etiquette, maybe Broadway is not the place for you, and that’s okay! But when attending a show, you must abide by theatre culture and respect your environment.  

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Thrill of Victory, Agony of Defeat Part II

With the Stanley Cup and NBA Finals all wrapped up, here are some more sports themed stage productions.

 

Rocky (Boxing)

Rocky the Musical (originally Rocky: Das Musical) is a 2012 musical with music and lyrics by Stephen Flaherty and Lynn Ahrens, with a book by Thomas Meehan, adapted from a screenplay by Sylvester Stallone. The show held its world premiere in Hamburg in 2012 and opened on Broadway on March 4, 2014 at the Winter Garden Theatre and closed on August 17, 2014 after 28 previews and 188 performances. The show roughly follows the plot of the 1976 film Rocky.  The show featured 20 original songs, with additional music taken from the original film series including “Eye of the Tiger” and “Gonna Fly Now”.

The show’s set, which for Broadway cost $4.3 million, is set around a mostly bare stage which represents the Gym that Rocky trains in. The production uses sliding box like sets to represent the homes of the characters and the sliding element goes onto include a full sized regulation boxing ring.  Audience members seated within the front stalls Golden Circle seating section, are escorted onto the stage for the final 20 minutes to sit on bleacher style seats, in doing so this allows the boxing ring to enter the auditorium and sit in rows A-F, bringing the audience close to the final fight scene.  The production did win a Tony Award for Set Design.

 

Lombardi (Football)

Lombardi is a play by Eric Simonson, based on the book When Pride Still Mattered: A Life of Vince Lombardi by Pulitzer Prize-winning author David Maraniss.  I’ve read the book.  Unbelievable life.

The play follows Green Bay Packers coach Vince Lombardi through a week in the 1965 NFL season as he attempts to lead his team to the championship. (The Packers won the NFL championship that year, which would be the last season before the introduction of the Super Bowl.) A “Look Magazine” reporter, Michael McCormick, wants to “find out what makes Lombardi win”. However, players on the team refuse to be interviewed, wary of giving up information. He goes instead to Lombardi’s wife, Marie, for answers. Meanwhile, in a flashback, Lombardi frets over his lack of promotion and contemplates quitting football. His wife reveals that the family had an emotional move to Green Bay, Wisconsin when Lombardi joined the Packers.

Lombardi ends up yelling at Michael in front of the team, prompting both to storm off. Linebacker and place kicker Dave Robinson comforts Michael at a local bar, sharing stories about his initial impressions of the coach, the “honor of being barked at” by Lombardi, and the equality established on the team. After more positive insight from running back, option quarterback and kicker Paul Hornung and fullback Jim Taylor, Michael decides to attend the next game. As he narrates what happened at the game, the Packers win.

After he writes his news story, Michael reveals to Lombardi that he is quitting “Look Magazine” to form his own publishing company. Lombardi congratulates him on his move to independence and celebrates the win with Michael and Marie. Michael realizes that Lombardi is “the most imperfect, perfect man” he ever met.

Lombardi officially premiered on Broadway at the Circle in the Square Theatre on October 21, 2010, after previews beginning on September 23. The creative team includes direction by Thomas Kail, sets by David Korins, costumes by Paul Tazewell, and lighting by Howell Binkley. This production is being produced by Tony Ponturo and Fran Kirmser. Lombardi closed on May 22, 2011, after 30 previews and 244 performances.

Due to the Packers winning Super Bowl XLV in 2011, their fourth Super Bowl but their second since Lombardi was head coach, the show’s producers were “hoping for a halo effect at the box office.”  Patrick Healy wrote in The New York Times: “The Packers’ victory on Sunday lent “Lombardi” plenty of visibility before and after the Fox broadcast of the game. One FOX commentator, Oakland/Los Angeles Raiders Hall of Fame defensive end Howie Long, who had seen the play, talked up the play before kickoff and during the postgame show he said, ‘I think Lombardi the play just got an extension on Broadway.’ ” Healy also wrote that the show had not recouped its $3 million investment, and while producer Tony Ponturo said that the show was scheduled to run until June 19, 2011, it ended its run early. Producers would not comment on whether or not the play had earned back its production budget.

The original Broadway cast included Dan Lauria as Vince Lombardi, Judith Light as Marie Lombardi, Keith Nobbs as Michael McCormick, Bill Dawes as Paul Hornung, Robert Christopher Riley as Dave Robinson, and Chris Sullivan as Jim Taylor. Light was nominated for a 2011 Tony Award for Best Performance by a Featured Actress in a Play for her performance in Lombardi.

 

 

The Changing Room (Rugby)

The Changing Room is a 1971 play by David Storey, set in a men’s changing room before, during and after a rugby league football game. It premiered at the Royal Court Theatre on 9 November 1971, directed by Lindsay Anderson. The 1973 Broadway production, directed by Michael Rudman, won several awards including the New York Drama Critics’ Circle award for Best Play and the Tony Award for Best Featured Actor for John Lithgow.  After three previews, the Broadway production, directed by Michael Rudman, opened on 6 March 1973 at the Morosco Theatre, where it ran for 192 performances.

At the play’s core is a semi-pro Northern England rugby league team. During the week, its members are peaceable men toiling away at mindless, working class jobs. On Saturday, they prepare for gory combat on the playing field. The changing room is where they perform their pre-game initiation rites, strip down, loosen muscles, and get into their uniforms. After the match they return, often broken, muddy, and bloody, regretting their loss or giddy with victory in the communal shower. There is little in the way of plot, but Storey engages his audience with his ability to dissect his characters’ hurts, hopes, desires, and fighting instincts.