Category Archives: Forms of Theatre

London’s 8th Annual Horror Theatre Festival

spooky scene

For the 8th year, London’s Horror Festival has finally been announced. Hosted at the Red Lion Theatre with over 30 productions, this Halloween season will have theatergoers and horror lovers chilling with fright, and extremely impressed.

London’s Horror Film will be offering dramas, comedies, musicals, and spoken word about all things spooky starting October 7th. Each year there is a theme for their annual playwright competition, and this year they are honoring Mary Shelley for the competition of “Women in Horror.” Her most renowned creation, Frankenstein, has its 200th year anniversary in 2018.

Catch tons of theater productions that truly push the limits of live production and performance. You are bound to find something you love, and something to make you really think when you attend a festival like this.

Scary ghost scene

Theater festivals are an awesome time for people to come together and bond over a common interest. When it’s a special reason for celebration, like a themed or holiday theater festival like this one, it can be even more interesting. Though this festival is in London, we can tune in and see what this annual horror fest will bring theater-goers and thespians.

If you’re REALLY into festivals, even horror fests, this might be something you want to follow on social media, inquire about, and maybe even travel to see.

Jackolanterns

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Musicals Making Their Way to the Big Screen

Les Mis Poster

Musicals are one of the oldest, most loved, and renowned forms of theatre in existence. Characterized by singsong dialogue and a show tune structure throughout the production, musicals have greatly made their mark on the social sphere of entertainment.

pitch perfect cast

The genre exploded in the 1930s when the Great Depression was weighing heavily upon the U.S. Most musicals highlighted the lives of the upper echelons of society, and weren’t as realistic as they could have been. Times have changed, and of course, musical theatre greatly reflected this. Now, by just looking at theatre, we can see how we’ve progressed through history. Musical theatre has been recognized as something we truly love for entertainment.

Into the Woods

Today, we see movies and television shows that have flourished from the rudiments of musical theatre. Musical to film adaptations are very common today. At first glance, we may not realize how much we really enjoy the musical elements in our entertainment.

Movies like Pitch Perfect, Into the Woods, Hairspray, La La Land, Les Miserables, and shows like Glee were all once musicals that were adapted to the big screen. They represent our love for the melodic tunes and show tune structure.

Glee cast

Musical to film adaptations are undoubtedly a great way to extend a timeless or older story into something relatable in present day. Adaptations are taking a classic storyline, revamping, extending characters, changing up the plot, and putting out a new piece of art. The director has much to work with. The principal characters and everything about the musical generally remain, but there is definitely room to be creative with the visuals and all other movie elements.

But why has musical theatre made its way to the big screen? What caused this change? The answer lies within the true elements of musical theatre that have stuck with us. Show tune structure, repetition and reprisal of songs, as well as the sung dialogue are all elements we still see in movies today.

Hairspray

Musicals create a cohesive feel and bring you in more than a movie does. They include tons of human elements, moments of recognition, missions, realizations, and problem solving. This paired with music and very little spoken dialogue is what we want to see. The catchy tunes get stuck in our head, and the stories take us on a ride. We invest, we get enveloped, and it works. Now in 2018, it’s safe to say that musical theatre is here to stay.

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Thrill of Victory, Agony of Defeat Part II

With the Stanley Cup and NBA Finals all wrapped up, here are some more sports themed stage productions.

 

Rocky (Boxing)

Rocky the Musical (originally Rocky: Das Musical) is a 2012 musical with music and lyrics by Stephen Flaherty and Lynn Ahrens, with a book by Thomas Meehan, adapted from a screenplay by Sylvester Stallone. The show held its world premiere in Hamburg in 2012 and opened on Broadway on March 4, 2014 at the Winter Garden Theatre and closed on August 17, 2014 after 28 previews and 188 performances. The show roughly follows the plot of the 1976 film Rocky.  The show featured 20 original songs, with additional music taken from the original film series including “Eye of the Tiger” and “Gonna Fly Now”.

The show’s set, which for Broadway cost $4.3 million, is set around a mostly bare stage which represents the Gym that Rocky trains in. The production uses sliding box like sets to represent the homes of the characters and the sliding element goes onto include a full sized regulation boxing ring.  Audience members seated within the front stalls Golden Circle seating section, are escorted onto the stage for the final 20 minutes to sit on bleacher style seats, in doing so this allows the boxing ring to enter the auditorium and sit in rows A-F, bringing the audience close to the final fight scene.  The production did win a Tony Award for Set Design.

 

Lombardi (Football)

Lombardi is a play by Eric Simonson, based on the book When Pride Still Mattered: A Life of Vince Lombardi by Pulitzer Prize-winning author David Maraniss.  I’ve read the book.  Unbelievable life.

The play follows Green Bay Packers coach Vince Lombardi through a week in the 1965 NFL season as he attempts to lead his team to the championship. (The Packers won the NFL championship that year, which would be the last season before the introduction of the Super Bowl.) A “Look Magazine” reporter, Michael McCormick, wants to “find out what makes Lombardi win”. However, players on the team refuse to be interviewed, wary of giving up information. He goes instead to Lombardi’s wife, Marie, for answers. Meanwhile, in a flashback, Lombardi frets over his lack of promotion and contemplates quitting football. His wife reveals that the family had an emotional move to Green Bay, Wisconsin when Lombardi joined the Packers.

Lombardi ends up yelling at Michael in front of the team, prompting both to storm off. Linebacker and place kicker Dave Robinson comforts Michael at a local bar, sharing stories about his initial impressions of the coach, the “honor of being barked at” by Lombardi, and the equality established on the team. After more positive insight from running back, option quarterback and kicker Paul Hornung and fullback Jim Taylor, Michael decides to attend the next game. As he narrates what happened at the game, the Packers win.

After he writes his news story, Michael reveals to Lombardi that he is quitting “Look Magazine” to form his own publishing company. Lombardi congratulates him on his move to independence and celebrates the win with Michael and Marie. Michael realizes that Lombardi is “the most imperfect, perfect man” he ever met.

Lombardi officially premiered on Broadway at the Circle in the Square Theatre on October 21, 2010, after previews beginning on September 23. The creative team includes direction by Thomas Kail, sets by David Korins, costumes by Paul Tazewell, and lighting by Howell Binkley. This production is being produced by Tony Ponturo and Fran Kirmser. Lombardi closed on May 22, 2011, after 30 previews and 244 performances.

Due to the Packers winning Super Bowl XLV in 2011, their fourth Super Bowl but their second since Lombardi was head coach, the show’s producers were “hoping for a halo effect at the box office.”  Patrick Healy wrote in The New York Times: “The Packers’ victory on Sunday lent “Lombardi” plenty of visibility before and after the Fox broadcast of the game. One FOX commentator, Oakland/Los Angeles Raiders Hall of Fame defensive end Howie Long, who had seen the play, talked up the play before kickoff and during the postgame show he said, ‘I think Lombardi the play just got an extension on Broadway.’ ” Healy also wrote that the show had not recouped its $3 million investment, and while producer Tony Ponturo said that the show was scheduled to run until June 19, 2011, it ended its run early. Producers would not comment on whether or not the play had earned back its production budget.

The original Broadway cast included Dan Lauria as Vince Lombardi, Judith Light as Marie Lombardi, Keith Nobbs as Michael McCormick, Bill Dawes as Paul Hornung, Robert Christopher Riley as Dave Robinson, and Chris Sullivan as Jim Taylor. Light was nominated for a 2011 Tony Award for Best Performance by a Featured Actress in a Play for her performance in Lombardi.

 

 

The Changing Room (Rugby)

The Changing Room is a 1971 play by David Storey, set in a men’s changing room before, during and after a rugby league football game. It premiered at the Royal Court Theatre on 9 November 1971, directed by Lindsay Anderson. The 1973 Broadway production, directed by Michael Rudman, won several awards including the New York Drama Critics’ Circle award for Best Play and the Tony Award for Best Featured Actor for John Lithgow.  After three previews, the Broadway production, directed by Michael Rudman, opened on 6 March 1973 at the Morosco Theatre, where it ran for 192 performances.

At the play’s core is a semi-pro Northern England rugby league team. During the week, its members are peaceable men toiling away at mindless, working class jobs. On Saturday, they prepare for gory combat on the playing field. The changing room is where they perform their pre-game initiation rites, strip down, loosen muscles, and get into their uniforms. After the match they return, often broken, muddy, and bloody, regretting their loss or giddy with victory in the communal shower. There is little in the way of plot, but Storey engages his audience with his ability to dissect his characters’ hurts, hopes, desires, and fighting instincts.

Choosing Your Next Production

Cast on Stage

If you have a theater group and you’re constantly putting on productions, read on for inspiration in choosing your next production. We’ve put together a guide to choosing your next production for your theater community. Here are a few things we think are important to think about when brainstorming your possibilities:

Anastasia

Deciding on the Type of Production
Do you want to do a musical? Do you want to do a situational comedy or a dramatic play? Do you want to perform a greek tragedy? A historical play or a romantic play? There are many subsets of plays and types of productions. When you narrow down your goal, you can then choose a script.

Thinking of your Actors
Deciding on a play depends on your strengths and weaknesses as a theater community. Sometimes the tell-tale signs of your next production can be evident through your actors’ strong suits. Make sure you have the right type of actors available to be matched with the right roles.

Spider-Man

Accessing a Script
Be sure you have access to ordering scripts for your community. Are there enough scripts available for the production of your choice? Be sure that you’re choosing from plays that are accessible, and that you have the rights to get ahold of the script.

Look to your Inventory
Looking at the props you already have and the props you need to buy can help you decide on your next production. If you have a smaller budget, and it’s always helpful for theater communities to spend as little as possible, you can look at what you already own. You may not need to buy much if you have a good selection and you use a little creativity.

Tarzan

Time and Duration
Think about how much time each production will take to rehearse and choreograph. You need to think about time from the beginning of your first rehearsal to your last dress rehearsal. Be sure that the plays you’re considering all fall within your time frame for preparation.  

Set Hands and Available Crew
Some productions take more help behind the scenes and backstage. Other productions require less stage help and more actors on stage. Every production is different, so being sure you have enough set hands and available help is something you’ll definitely want to think through before choosing a play.

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