Why Do We Live This Crazy Life?–The Applause

laurenbacall-applause(originalbroadwaycast)I thought it would be fun to pick out a few Broadway musicals that have somewhat ‘disappeared’ over the years.  Over the next few months, we’ll take a historical look at some fun shows whose themes may be era specific and maybe a little ‘old fashioned’.   Now, when I say ‘disappeared’, I don’t mean that nobody performs these shows at all.  I know that professional companies have performed these shows.  I simply mean that they are not performed as often as they once used to even, say, 15 years ago, by high school or college drama clubs.  But if you read the plot to some of these vintage musicals, they are funny, have social implications, and deep themes that are still relevant today.

The first show we will look at is Applause.  Applause is a musical with a book by Betty Comden and Adolph Green, lyrics by Lee Adams, and music by Charles Strouse.  It won the Tony Award for Best Musical, and Lauren Bacall won the Tony for Best Actress in a Musical.  Based on the screenplay of the classic Bette Davis film, All About Eve, and the original story “The Wisdom of Eve” by Mary Orr upon which the movie was based, Applause was updated to be set in 1970 and not in 1950 like the movie.  Also, some of the characters specific to the movie were replaced in the stage production by the producers.

The Broadway production opened on March 30, 1970 at the Palace Theatre, and closed on July 27, 1972, after 896 performances and 4 previews.  Directed and choreographed by Ron Field with the orchestrations of Philip J. Lang, the original cast included Lauren Bacall as Margo Channing, Len Cariou as Bill Sampson, Penny Fuller as Eve Harrington, Bonnie Franklin, Lee Roy Reams, Robert Mandan, Brandon Maggart, Ann Williams, and Nicholas Dante.  Anne Baxter, who had portrayed Eve in the original film, replaced Bacall as Margo Channing when she departed the cast later in the run.

The musical was later adapted for television, starring Bacall and Larry Hagman replacing Len Cariou, who now stars in the hit TV series Blue Bloods, in the role of Bill Sampson. It aired in the United States on CBS on March 19, 1973.  The show was revived—sorry, retooled–by Paper Mill Playhouse in 1996 starring Stefani Powers as Margo.  New York City Center’s Encores! presented a new production of Applause February 7 to 10, 2008. It was directed by Kathleen Marshall and starred Christine Ebersole, Michael Park, Erin Davie, Megan Sikora, Mario Cantone, Tom Hewitt, Chip Zien, and Kate Burton.

The story goes like this.  Middle-aged actress Margo Channing presents the Tony Award to rising star Eve Harrington, who graciously thanks “my producer, my director, my writer and above all, Margo Channing”.  In flashback, Margo recalls the opening night for one of her plays a year-and a-half before, when Eve entered her life.  Margo’s admirers crowd her dressing room and fill the air with “Backstage Babble”. Among the admirers is Eve, a young woman who says that she, alone and friendless in New York, has found solace in watching her hero, Margo, perform. As soon as Margo can be alone with Bill Sampson, her director and fiancé, she tries to convince him to stay with her and not go to Rome to direct a movie.  Bill firmly but lovingly tells her goodbye (“Think How It’s Gonna Be”).  Margo dreads facing the opening night party alone, and wanting to have a good time, she persuades, Duane, her gay hairdresser, to take her and Eve to a gay nightclub in Greenwich Village (“But Alive”).  The lively evening ends back at Margo’s apartment.  Eve declares that it has been the best time she’s ever had (“The Best Night of My Life”).  Margo, seeing her 19-year-old self in one of her old movies on TV, senses the impact her increasing age will have on her career and sarcastically asks “Who’s That Girl?”.

Four months later, Eve has become Margo’s indispensable assistant, impressing Margo’s close friends, including her producer, Howard Benedict.  Howard takes Eve to a “gypsy” hangout. “Gypsy,” Howard explains, “is the name dancers affectionately give themselves as they go camping from show to show.”  The “gypsies”, led by one of their own, Bonnie, celebrate “the sound that says love” – “Applause”.  That night, at three a.m. after a phone call from Bill in Rome, Margo longingly wishes he would “Hurry Back”. Bill arranges to hurry back two weeks later, but at Margo’s welcome home party for him, a misunderstanding leads to a disastrous evening (“Fasten Your Seat Belts”).  Eve, as Margo’s ever-present assistant, knows Margo’s part in the play completely, and Eve contrives to get herself hired as Margo’s understudy.  Margo, feeling betrayed and threatened, faces Eve with an ironic “Welcome to the Theatre”.  Bill accuses her of being paranoid about Eve, and after a bitter fight, he says goodbye to Margo, ending his relationship with her. Margo is left alone on an empty stage.

In Act 2, Margo is visiting her friends, playwright Buzz Richards and his wife Karen, in their Connecticut home.  Karen, thinking Margo behaved unfairly to Eve, arranges for Margo to miss a performance by draining the car’s gas tank so they cannot return to New York in time for the evening’s performance.  Stuck in the country for the night, they express their warm feelings as “Good Friends”.  Back in New York, Eve gives a triumphant performance in Margo’s role. Howard again takes Eve to the “gypsy” hangout where she snubs Bonnie and her friends, who do a scathing parody of a girl who becomes an overnight star (“She’s No Longer a Gypsy”).

Margo is devastated when she reads a nasty interview that Eve has given in which she refers to “aging stars.”  Bill now realizes what Eve’s true intentions are and rushes back full of love for Margo, telling her she’s “One of a Kind”.  Margo, though, is too focused on her career to want to return to Bill.  Eve, who has made an unsuccessful pass at Bill, ensnares the playwright, Buzz, and she rejoices that she now has a man who can help her career (“One Hallowe’en”).  Her plans with Buzz are crushed by Howard who claims her for himself, telling her “We both know what you want and you know I’m the one who can get it for you” – Eve needs Howard’s influence as a producer as well as his silence concerning her devious rise to stardom.

Margo seems to have lost everything because of Eve, but suddenly she realizes she could be the winner because she now has a chance at “Something Greater” – a life with Bill.  In the finale, she and Bill join with everybody answering the question “why do we live this crazy life?” – “Applause”.

Sounds like a musical that could be revamped even further to be set in the 2000s.  With today’s celebrity culture, a look at the behind the scenes dynamic between two stars fighting for the spotlight and the people in charge would still be a fascinating and funny storyline.

Tell me what you think?

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