Do you consider yourself a superstitious person? Do you worry about events that fall on Friday the 13th, or perhaps black cats or stepping on a crack in fear of breaking your mother’s back? If this describes you, then you may fit in well with theater lovers. Historically, there are a number of superstitions that are commonly believed, or at least discussed, when it comes to theater. In fact, you may follow some of these yourself even if you aren’t headed to the theater. For example, have you ever told someone to “break a leg” when they were headed to a big event? That superstitious saying stemmed from the fear of actors hearing “good luck” before a performance believing that evil theater spirits would do the opposite of the words they heard spoken. Let’s take a look at a few other common superstitions that haunt theaters to this day.
- The Ghost Light – Once the lights come on in a theater everything is illuminated and bright, but prior to that time or after the show is over, theaters can be a dark and scary place. The Ghost Light is known today to help guide the first and last person in and out of the theatre, especially in the dark. The ghost light tradition is to leave a single lit bulb upstage center when the theater is empty. Not only is it meant to ward off mischievous specters, but it also allows the stage managers, crewmembers, and actors to find the light switch when entering a vacant theater so that they don’t break their necks while crossing the totally dark stage.
- Bad Dress Rehearsal, Good Opening – Many stage actors swear that a bad dress rehearsal portends a great opening night. This superstition’s origins are not clear, but maybe a producer or director trying to boost a cast’s morale, but it’s a comforting concept when the final dress goes horribly wrong.
- Broken Mirror is Bad Luck – We all know of the superstition that breaking a mirror is seven years bad luck. It is believed that breaking a mirror on stage will cause seven years of misfortune for a theatre. Reflections from mirrors can also be distracting for lights, actors, and audience members.
- Blue and Silver – It is bad luck to wear the color blue onstage, unless it was countered with something silver. In the earliest days of theater costuming, it was extremely difficult to make blue dye, and thus expensive to purchase. So blue costumes were countered with silver, thus proof of the success of a theater company.
In any performance, from the high school level to under the bright lights of Broadway, the stage manager is the glue that holds the show together. This is the person who always knows what’s going on, where it’s happening, and how things are actually progressing. The personality of a stage manager has to be such that he or she can not only deal with the stress of the performance but also the varying personalities of the actors, director, and stage crew. In general, it helps if this person is level-headed, keeps calm under pressure, and is organized. Here are a few more signs that you have a great stage manager working on your show.
- Organized and Prepared – As mentioned above, organization and preplanning is critical to be an effective and successful stage manager. From the first production meeting ‘till the curtain goes down on the final show, the stage manager must be able to juggle multiple schedules from scene blocking, acquisition of props and backdrops, and of course the general running of the show.
- Knows the Lingo – Any good stage manager must know the lingo of theaters from the stage terms, blocking notes, and of course the cues for every actor and scene change.
- Excellent Note Takers and Communicators – The stage manager is responsible for pulling together all the parts of the production. He or she must be able to listen closely during production meetings, learn what needs to be done, and communicate those plans to lighting techs, stage crew, prop masters, and the sound crew so that everyone is on the same page. Without excellent communication, the entire production could go down as an epic fail.
- The Magic Touch – Stage managers must try to be all things to so many people during a production. One thing that each stage manager should try to do that not all succeed at is making the work fun.
If your stage manager is looking for exceptional backdrops for your show, call Backdrops by Charles H. Stewart at (978) 682-5757 or visit our website at www.charleshstewart.com.
The wind has started to shift, the temperatures have begun to drop and the leaves are all but gone from the trees. That can only mean one thing – that the holidays are right around the corner! Are you looking for something to put you in the spirit of the season? Then look no further than the lights and sounds of the theaters in your area. Or, better yet, take a trip to New York City to take in all the holiday festivities while you catch a show. No matter whether you find a theater in your region or can travel this season to see a Broadway show, here are a few fan favorites that will get you in the holiday mood.
- Elf – We all know that the best way to way to spread Christmas cheer is singing loud for all to hear. If you are familiar with the movie Elf you will love the 2010 Broadway adaptation that brings a smile to the audience’s faces and puts everyone in a festive mood!
- A Christmas Carol – For those of you looking for a more traditional Christmas show, Charles Dickens’ A Christmas Carol may do just the trick to get you in the mood.
- White Christmas – A little singing and dancing, and the magic of old Hollywood should get your toes tapping and heart melting this holiday season. This show usually makes its tour around the holidays, so watch for your local or regional theaters to start offering tickets soon.
- How the Grinch Stole Christmas by Dr. Seuss – Generations of children have grown up on Dr. Seuss and now his musical can delight audiences of all ages with the dastardly Grinch on his mission to ruin Christmas, only to learn that his heart can grow and love.
- The Nutcracker Suite – Escape for the night to a land of dance and sugarplum fairies as you enjoy the Nutcracker Ballet this holiday season. Even children will love the dancing and the larger-than-life characters and Christmas Tree.
If your school, theater, or company is putting in a show this holiday season and you need backdrops, call Backdrops by Charles H. Stewart at (978) 682-5757 or visit our website at www.charleshstewart.com for more guidance and stage backdrops that will make your show a hit!
Anyone who has any experience with live theater knows that any number of things can go wrong throughout the course of a performance. Murphy’s Law states that, “Anything that can go wrong will go wrong.” No truer words have been spoken, especially when a performance is live and is happening in front of a packed audience. A multitude of things can go awry, (and often do) from a sick actor, to forgotten lines and, of course, the all too common “prop flop.” Let’s take a closer look at when things go terribly wrong on stage and how your show can prevent such occurrences.
- Mislaid Props – Nothing can cause more anxiety than knowing your cue is coming and you have yet to locate the prop that should be carried on stage. Prop Masters or Mistresses should have an organized system of laying out props backstage in the order of appearance in the show as well as by size and practicality of storage.
- Prop Malfunctions – As the technology of stage productions increases, the probability of a technical malfunction also increases. For example, as reported by The Guardian Theater Blog, the great glass elevator in Charlie and the Chocolate Factory at the Theatre Royal Drury Lane malfunctioned, leaving Douglas Hodge’s Willy Wonka and the child actor playing Charlie stranded – and the performance halted – while they were rescued. Having a technical crew and troubleshooters examine the equipment of more technical shows prior to the curtain going up for each show can help stage crews from having to improvise and problem-solve mid-show.
- Mistiming of Props – One of the more common mistakes is the mistiming of a prop being put on stage or being used. For example, sound effects are particularly prone to mistiming, including telephones ringing long after they have been answered and gunshots heard after the actor has fallen to the ground in apparent agony. In this case practice makes perfect and the show will continue – if not for a few giggles from the audience.
- Broken Props – Also common are props that have been overused and suddenly are found broken or not useable during a performance. Checking all props regularly to be sure they are in good working condition is one of the main tasks of the stage crew and prop master.
Don’t let a prop flop happen in your live performance. Call Backdrops by Charles H. Stewart at (978) 682-5757 or visit our website at www.charleshstewart.com for more guidance and stage backdrops that will make your show a hit!
Most of us who keep up with world events know that as the national economy fluctuates so does funding for school arts programs. Music, drama, art, and band classes are reduced, and sometimes eliminated entirely, when the economy takes a turn for the worse. For art supporters and enthusiasts, this is terrible news that has long lasting consequences well after the middle and high school years are over. Here are a few of the reasons why arts programs need to be saved.
- According to several studies there is a relationship between sustained involvement in instrumental music across middle and high school and high level math proficiency in grade 12, particularly for students from low income families.
- Keyboard and vocal studies contribute to increase math, spatial, and science abilities.
- Music programs have led to a rise in motivation in students who are looking for a way to socialize in school.
- Music provides children and young adults a chance to participate in school in a way that is not possible in the classroom or on the sports field.
- The loss of music programs disproportionately impacts low income families who do not have access to music privately. By eliminating these programs, towns and cities are turning their backs on the most vulnerable among us.
- Music and arts classes provide a balance for the academic side of learning in schools and give students a chance to pursue their passions.
As Americans decide where they allocate funds in their school districts, it is important to recognize the benefit of the arts for students and the consequences that will result if arts education is missing from their lives.
Set design has evolved from the once bare minimum of furniture and simple backdrops, to technological feats of massive proportion. As the technology evolves and advances, there are countless options for stage design, including: contemporary, whimsical, eclectic, and everything in between. Stage design can help propel a production into greatness or it can deter from the mood, theme, or, unfortunately, the overall story line if done incorrectly. What, then, are the key components of a great stage design. Let’s take a closer look:
- Focus – Stage design should first consider what the audience should be focusing their attention on, whether it is a solo singer, an actor, or a large group dance. The stage design should merely be a supporting piece to focus the audience’s attention to where the action, mood, or story is taking place. In fact, most performances have several focal areas that can be easily changed while the audience views one part of the show.
- Stage Layout – Great stage design takes into account the movement of the production and where the actors need to be. There is nothing worse than having stage pieces blocking entrances and exits. Plan carefully the stage design so that each part of the production flows seamlessly to the next, regardless of the stage pieces needed.
- Timing – Set design that is done well can create a grand reveal and help with the timing of the show. Consider a solo artist singing a ballad with one spotlight and a stool; this set design creates an intimate setting and the reveal of his/her solo performance.
- Lighting – Set design relies heavily on the lighting crew to add to the mood, action, and story line with proper lighting. Fantastic lighting can not only support the mood, but also give depth to the stage and help the audience focus on the most important part of the performance.
Like all designs, set design can communicate with the audience and tell the story that is trying to be told. If you need help deciding on your set design, call Charles H. Stewart. Phone: (978) 682-5757 – www.charleshstewart.com
Whether you are looking for a simple scenic design, or a complex, changeable stage design, Charles H. Stewart offers a wide variety of backdrops designed to accommodate most high quality productions for theatres, schools, dance recitals, and corporate events. We feature a rapidly growing selection of stage curtains that have been directly inspired not only by Broadway, National Tours, and London’s West End productions, but also by a wide variety of popular, world-class entertainment venues, such as Las Vegas, Branson, world-renowned nightclubs and film/television productions.
While our primary products are large format backdrops, we also offer a growing selection of valances (or borders) and legs. Browse our website to see our new inventory. We are constantly growing our already wide selection of scenic backdrops.
Here are just a few of the ways we can help you with your set design and organize our website for your set design needs:
- By Show – Visit our website to see how we match certain productions to the backdrops we already have in our inventory. We list a large number of shows and match the backdrops that would be appropriate for that production. The work is done for you and frees your set designer from pouring through hundred of backdrops.
- By Category – If your theater group is considering a show that we do not have listed on our inventory, you may want to search by category, such as: barns, beaches, zoos, circus, streets, or skylines. If your production is an original or one that you are unsure of what may be needed for the backdrop, talk to our team who can steer you in the right direction.
- New Backdrops – As productions come out on Broadway and in smaller theaters around the globe, we keep up with the times by adding new backdrops constantly. Check back on our website regularly to see our latest additions.
- For Sale – Who doesn’t love a good sale? We offer several backdrops that you may want to purchase, which can be used as a permanent backdrop or to grace your stage throughout the year.
Backdrops by Charles H. Stewart can help you start your production on the right foot. Call us or visit our website today! Phone: (978) 682-5757 – www.charleshstewart.com
Stage lighting involves more than just lighting the stage and actors on it with varying degrees and hues of lights; it is about creating a mood, focusing the attention of the audience, and helping create action in and around a performance. It takes careful planning and understanding of the production and flow of the show to do this successfully. Lighting, and how it is used on the stage, can make or break a production. Therefore, here are three stage lighting mistakes to avoid when planning your next show:
- Too Many Lighting Cues – Actors and stagehands have many, many cues throughout a performance that tell them where to stand, when to speak, and when to exit the stage. These cues are critical to the setting and storyline. Lighting is just one more area where the people on and off the stage need to be aware of cues and react to them. If there are too many cues to remember, or the lighting changes are too numerous to make a big impact on the mood or direction of the show, it may be time to consider cutting down on the number of lighting cues.
- Too Many Color Flashes – Lighting and, more specifically, flashes of dramatic color can show a change in the mood or the direction of a show. Unfortunately, the audience may not take kindly to a multitude of these flashes and it may be detrimental to the overall review of the performance. The audience should come away from a show remembering the story and the mood, not the annoying flashes that hurt their eyes.
- Budget – Preparing and planning the resources for your production is critical. Premium lighting can cost a pretty penny, so plan well in advance and do your research on the types of lighting that you need.
Backdrops by Charles H. Stewart can help you create an amazing stage design with its backdrops and many experienced professionals who can answer common questions and stage performances.
Today’s scenery and set design in theatrical productions can range from extremely simplistic to deliriously technical. Sometimes it is fun to look back at how far we have come in scenery design and the art of theater that has evolved over the past centuries. Here is just a glimpse into what set and stage design used to be like so long ago:
Did you know that . . .
- The western tradition of theater began in ancient Greece. Ruins of the earliest theaters – great outdoor amphitheaters – are still standing in places like Greece, Italy and Turkey. Designers of those theaters understood that maximum communication between the stage and audience was essential. The actual set design was minimal and usually relied on costumes, some props, and occasional items that stood on the stage.
- Prior to the Renaissance, set design consisted merely of drawings or paintings on the back wall of a theater. Some theaters were open air theaters and relied only on the dialogue to give audience members a clue as to the setting.
- During the Renaissance, mathematicians would help design sets to give the illusion of space, depth and perspective.Tables, moving pieces, and other gadgets helped with sound effects.
- During the 19th Century, playhouses emerged that were designed specifically for shows that would allow for props, furniture, and design elements to make the performance come alive.
- During the 20th Century, the first college set design course was offered at Yale University.
- Today, set design has grown and evolved from these humble beginnings. It now relies heavily on the steadily advancing technology. There is an increasing use of computer-generated imagery, computerized lighting systems, robotics, and other technologies that allow stage walls and floors to move, rise, and drop at the touch of a finger. I wonder what the next few decades will mean for set design?
Designing a set for a theater productions, whether it is large or small in scale, can be overwhelming. Professionals know that there are many parts of the performance that need to fit together like a puzzle in order for it to flow and be performed seamlessly. Whether your stage design is meant to be simplistic or highly technical, there are some common elements that the professionals would recommend that you consider before you finalize your plans:
- Focus – Think about what you want the focus to be before you begin designing. What exactly do you want the audience to zero in on? Is it a lone actor projecting a monologue, or is it a full cast performance that requires technical assistance? Once you discover where the focus should be, you can add the design to enhance the acting and score.
- Stage Layout – Create a detailed and practiced drawing of the blocking of the show. Nothing can ruin a show like an actor being blocked from making an entrance or stage props being unable to be accessed at the right time.
- Lighting – Always consider the lighting when creating your set design. It can bring out the mood and allow for careful movement of backdrops or stage props.
- Timing – Be sure to consider the flow of the show. Do the set changes slow down at some points and speed up at others? How will you accommodate the different moving pieces so that it does not become a distraction to the audience?
- Mood – What type of mood are you trying to portray in each part of the show? Set design can enhance the mood and, in some cases, set the mood for the actors and audience members.
Talk to the professionals at Backdrops by Charles H. Stewart for your set design questions. Call (978) 682-5757